THE JUNGLE AND THE SEA AT BELVOIR ST THEATRE View the rehersal photos in the video below Please view additional photos of Rehearsal photos on eLanka FB S.Shakthidharan and Eamon Flack, the award-winning creative powerhouses behind Counting and Cracking, return with The Jungle and the Sea, showing from 12 November 2022 to 18 December 2022 at the Belvoir Street Theatre. The Jungle and the Sea takes the classical stories of the Mahabharatha and Antigone, and builds a new epic bringing to the forefront decades of untold histories of the Sri Lankan civil war. Themes that all Sri Lankans have a connection to – surviving loss, rebuilding lives and discovering what a reimagined future can bring. The Jungle and the Sea is a companion piece to Belvoir’s critically acclaimed Counting and Cracking, following the production’s successful tour to Edinburgh and Birmingham in August 2022. It is rare to see a nuanced ...

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‘An epic drawn from real life’: the radical hit play about a Sri Lankan family’s journey – By Neelam Tailor Source : theguardian Counting and Cracking, a multilingual tale of a family’s migration to Australia, is coming to the UK. Its writer Shakthi and director Eamon Flack discuss the inspiration behind this labour of love “Australia is a country of immigrants,” says Counting and Cracking director Eamon Flack. He’s not wrong: nearly 60% of the population are immigrants from Europe who began arriving about 250 years ago; Indigenous people make up just over 3%. After England, the top countries where overseas-born immigrants come from are India and China. Yet until Counting and Cracking, there hadn’t been a major theatrical work in Australia about a non-white migrant family. “To put it plainly, I don’t think there’s been a play of this scale with 19 people who are all brown,” says the play’s ...

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  Counting & Cracking- A cracker of a play – By Raj Gonsalkorale   Counting and Cracking made through ongoing collaboration between Belvoir and Co-Curious, and S. Shakthidharan and Eamon Flack – across writing, producing and direction was indeed a cracker of a play. It was brilliantly acted, tightly and yet meaningfully directed, and above all, the pathos that befell Sri Lanka in July 1983 depicted as the tragedy it was for the entire country. Politically speaking, the greatest tragedy was the active complicity of the then government in that dark episode. Many may not recall that the President and head of the government and head of the cabinet did not appear on TV to appeal for calm for nearly a week after the outbreak of violence, that many within the Police and Armed forces had been given orders to virtually look away when Tamil shops and homes were being burnt and human ...

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