THE METHODS AND MADNESS OF THE MASTER A perspective on Sri Lanka’s theatre maestro: Kala Keerthi Jerome L De Silva – By Surein de Silva Wijeyeratne When I first met Jerome over 30 years ago at St. Peter’s College, he was already a legend—famous, formidable, and a little… mad. His pirate beard, impeccable English, commanding voice, and eccentric style made him seem like a character straight out of a play. Fast forward three decades, and I can honestly say: Jerome has shaped Sri Lanka’s theatre in ways few can match. From that first humble workshop in 1992, the man behind The Workshop Players has turned our theatre scene into a vibrant, creative hub that reaches across the country—not just at the Lionel Wendt, but in halls and schools everywhere. But what makes him truly unique? It’s his methods—a mix of relentless learning, meticulous planning, unwavering discipline, and deep-rooted faith. Early ...