My lunches with Sumitra-BY UDITHA DEVAPRIYA Source:Sundayobserver It was in 2013 that I paid my first visit to No. 24, Lester James Peries Mawatha. I was a law student at the time, but was freelancing on the arts to a newspaper. I have the vaguest recollection of that first visit, but I do remember that it lasted barely 15 minutes. The Perieses were expecting a visit from some relatives abroad: I would have to come another day. The second visit transpired around two weeks later. I have the vaguest recollection of that too, but I do remember conversing with Lester for three hours. Or was it four? In any case, “Mrs Per ies” chipped in only halfway through. ...
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Looking back: Sagara Jalaya-By Uditha Devapriya Source:Island The first Sinhala film I saw was Chandi Shyama. It did not, I confess, leave much of a good impression on me. The second, Madol Doowa, caught my fancies. The third did not catch my fancies, but it left a better impression. This was Sagara Jalaya. Sumitra Peries’s fifth film, Sagara Jalaya is considered among her best work today. Yet, in another sense, it is hardly considered at all. While critics and writers are willing to ascribe to it the high place it occupies today, they do not pay to it the kind of attention they readily give to Sumitra’s other films, most prominently Gehenu Lamayi and Ganga Addara. That is hardly a fate suffered by Sagara Jalaya only, of course: critics also ignore her later work, in particular Sakman Maluwa, which to me shows Sumitra at her most mature. But in the case of Sagara Jalaya, a more difficult film, the omission seems more ...
Sep 5, 2021
Posted by eLanka admin In
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Tagged Gehenu Lamayi, Sagara Jalaya, Simon Nawagattegama
