Sri Lanka’s First 3D Animated Feature ‘The Secret of the Moonstone’ Debuts at the VIEW Conference in Italy

An AI-generated illustration based on the supplied studio scene. It is not an official film still or poster; no official production image has been reproduced, and film artwork remains the property of the studio.
Sri Lanka’s animation industry has reached a significant international platform, with The Secret of the Moonstone, described in reporting as the country’s first 3D animated feature film, making its European debut at the VIEW Conference in Turin, Italy. The conference runs from 12 to 16 October 2026, bringing the Sri Lankan production into a programme devoted to animation, computer graphics, visual effects and immersive media.
The presentation offers more than a first look at a locally made feature. It places a substantial Sri Lankan animation project before an international audience of creative and technical professionals, in a field where visibility, professional exchange and the ability to demonstrate completed work can be instrumental to future opportunities.
Ceylon Today reported on 13 October that representatives from Mogo Studios would present the film during the conference and discuss the creative and technical challenges of developing feature-length animation in Sri Lanka. The appearance is a notable milestone for a local studio undertaking the scale and complexity of a feature production, and a chance to share the methods and experience behind that work with a global industry audience.

An AI-generated illustration of the kind of international creative setting in which animation projects are presented and discussed.
A Sri Lankan folktale recast in a future Colombo
Produced by Mogo Studios in collaboration with the Derana Media Network, The Secret of the Moonstone reimagines the folktale of Maha Dena Muttha in a futuristic Colombo. The film’s official website describes a story in which young Lucky, alongside his friend Taniya, sets out to uncover the lost wisdom associated with his ancestor. Their journey leads from a technologically advanced city towards the forests of Sri Lanka, where an ancient book and a magical creature called Nila become central to the adventure.
The combination of familiar folklore and an imagined future gives the project a distinctly local foundation while drawing on the visual language of contemporary animated adventure. Rather than setting aside Sri Lankan stories in pursuit of a generic fantasy world, the film places a recognised folktale figure and local landscapes at the heart of its imaginative premise.
That creative approach also speaks to the wider possibilities of animation: cultural heritage can be reinterpreted through new tools and formats, reaching audiences who may encounter the source material in a different way. The film’s own description presents it as an adventure shaped by friendship, loyalty and the relationship between progress and preservation; those are the studio’s stated creative aims, rather than claims about audience reception or the film’s eventual impact.

An AI-generated illustration of digital animation work. It does not depict characters, software screens or scenes from the film.
The achievement behind a feature-length production
A feature-length animated film requires more than a compelling story or a single striking image. It involves sustained work across design, modelling, movement, lighting, rendering and other creative and technical processes, coordinated over the course of a production. Developing that capacity locally is a considerable undertaking for a studio, and the conference presentation gives Mogo Studios an opportunity to discuss the practical challenges involved.
The project’s significance, therefore, lies not only in its European debut, but also in the expertise accumulated through making it. By presenting the production process, the studio can contribute to a broader conversation about how animation and visual-effects work can be developed in Sri Lanka, and what local teams need to build ambitious projects for international audiences.
The official film website states that the feature was completed using Unreal Engine. That detail points to the relationship between storytelling and technology in the production, while the VIEW presentation provides a setting in which the studio can discuss how its creative choices and technical workflow came together. The conference is widely regarded as a leading event for computer graphics, visual effects, animation and immersive media, with professionals from major international studios among those who gather to exchange ideas and showcase work.
For Sri Lankan creative businesses, participation in such a forum can help make local capability more visible. It can also create space for professional exchange: presenting a project allows its makers to explain not only what appears on screen, but the skills, decisions and problem-solving that helped bring it there. No particular future collaboration or commercial outcome has been announced, but the opportunity to engage directly with an international professional community is itself meaningful.
An encouraging signal for young creatives
The film’s appearance at VIEW may be especially encouraging to young Sri Lankans interested in animation, design, computer graphics and visual effects, whether they are studying or building careers at home or abroad. A locally produced feature showing at an international industry event offers a practical example of how storytelling, artistic skill and technical knowledge can be brought together in a Sri Lankan production.
For emerging artists, the achievement can help make a career in animation feel more tangible. It demonstrates the scale of work involved in feature production and draws attention to the range of roles that contribute to it, from story development and visual design to digital modelling and effects. It also reinforces the value of stories rooted in Sri Lankan culture: heritage can be a source of original creative material, rather than merely a subject for the past.
Mogo Studios unveiled the film’s trailer earlier in 2026 ahead of a planned global release, as reported by Daily FT. The VIEW appearance is a further step in introducing the project beyond Sri Lanka, though it should not be confused with the film’s release or with any award recognition. No release date is stated here.

An AI-generated artistic interpretation of a future Colombo, reflecting the film’s blend of Sri Lankan setting and imagined technology.
A new chapter for Sri Lankan animation
The European debut of The Secret of the Moonstone at VIEW is a proud moment for Sri Lankan animation and a valuable platform for the people who made it. The project brings a local folktale into a future-facing setting and demonstrates the ambition involved in developing a feature-length animated production from Sri Lanka.
Its wider significance will depend on what follows: continued investment in creative skills, opportunities for local teams to take on challenging work and sustained engagement with international audiences and industry networks. The conference presentation does not, by itself, guarantee those outcomes. It does, however, place Sri Lankan talent in a forum where such conversations can begin, and gives young creatives a visible example of a homegrown project operating on an international stage.
As audiences around the world encounter new forms of storytelling, Sri Lanka’s folklore, landscapes and creative talent offer material with distinctive character. This conference milestone suggests that the country’s animation and technology sectors have valuable stories to tell, and that locally developed work can contribute meaningfully to the global conversation.
Sources: Ceylon Today; The Secret of the Moonstone, About the Film; Mogo Studios, The Feature; Daily FT.
This article was written based on the sources https://ceylontoday.lk/2026/10/13/the-secret-of-the-moonstone-to-debut-at-view-conference-in-italy/, https://www.thesecretofthemoonstone.com/about-the-film, https://mogo.lk/moonstone/ and https://www.ft.lk/ft-lite/Mogo-Studios-unveils-trailer-of-Sri-Lanka-s-first-animated-feature-for-global-release/6-788017, kindly email us at info@eLanka.com.au if any information needs to be corrected.
At eLanka, we respect the rights of creators. If we have used an image you own and you’d like it removed, please email us at info@elanka.com.au and we’ll handle it promptly.
Thanks.
eLanka team
eLanka Disclaimer
Content published on eLanka may be created by the eLanka team, submitted by contributors or third parties, reproduced or adapted from other sources with appropriate source acknowledgement, or provided as promotional/advertising material by our clients. While eLanka takes reasonable care in preparing and publishing content, we do not warrant its completeness or accuracy. Views expressed are those of the respective authors or contributors and do not necessarily represent the views of eLanka. Third-party contributors, content providers and advertisers are responsible for the accuracy of material they supply and for ensuring they hold the necessary rights and permissions for its publication. Advertising and promotional content should not be regarded as an endorsement by eLanka of any product, service or claim.



