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Home » Blog » Articles » Whispers of Devotion: The Silent Legacy of Buddama’s Two Women – By Malsha – eLanka
ArticlesMalsha Madhuhansi

Whispers of Devotion: The Silent Legacy of Buddama’s Two Women – By Malsha – eLanka

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Last updated: August 3, 2025 5:50 am
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Whispers of Devotion: The Silent Legacy of Buddama’s Two Women – By Malsha – eLanka

Buddama Rajamaha Viharaya

Image Source : island.lk

Tucked away in the remote southeastern landscapes of Sri Lanka lies a forgotten treasure of history, art, and silent devotion — Buddama Raja Maha Viharaya, home to the enigmatic “Two Women’s Cave”. Known locally as Buddama Len Viharaya, this ancient rock temple, embedded in the dramatic cliffs of the Monaragala District, holds centuries of echoes — from royal patronage to spiritual solitude.

An Enclave of Sacred Serenity

Buddama temple dates back over 2,000 years, its origins tracing to the Anuradhapura period. It was once a place of refuge and reverence, where forest-dwelling monks practiced Vipassana meditation in the shelter of nature. But among its many caves and stone inscriptions, one feature stands out for its peculiar mystery — the Two Women’s Cave, or “Girikumbura Lena”, as it is sometimes referred to.

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The Mystery of the Two Women

The cave is named after two noblewomen believed to have renounced worldly life and sought refuge in this secluded stone hollow. According to oral traditions and fading palm-leaf records, these women — possibly princesses or queens — took robes as Upasikas (lay devotees) and spent their final years in deep meditation and religious observance.

Though historical documentation is sparse, the story of the Two Women’s Cave resonates with Sri Lanka’s broader tradition of female ascetics and silent heroines whose lives were written not in ink, but in stone and silence.

A Canvas of Ancient Art

The Buddama rock temple boasts some of the oldest and most unique rock paintings and sculptures in the region. Unlike the more refined frescoes of Sigiriya or Dambulla, the Buddama murals are raw, stylized, and deeply expressive. Inside the shrine room, faded yet poignant wall paintings depict Jataka tales, floral motifs, and celestial beings — possibly painted during the Kandyan period.

The Buddha statues carved into the rock show signs of Mahayana influence, with elongated robes and lotus platforms. The cave where the two women resided remains largely untouched, save for a few faded sketches and a simple stone bed — a silent testament to their austere lifestyle.

Echoes of Solitude and Spirituality

The cave is not just a relic — it is an experience. Visitors report an uncanny sense of calm when stepping inside. The gentle echoes of footsteps against the stone, the whistling wind through narrow crevices, and the lingering scent of incense offer a glimpse into the timeless meditative spirit that once thrived here.

The Two Women’s Cave stands as a symbol — not of grandeur, but of resilience, renunciation, and quiet strength. In a world where historical narratives often celebrate kings and battles, this simple cave whispers a tale of feminine devotion that deserves remembrance.

Preserving a Silent Legacy

Sadly, Buddama temple and its sacred caves are under threat from neglect, erosion, and encroachment. With few tourists and minimal state attention, the site risks fading not just in paint and plaster, but in memory. Conservationists urge for greater efforts to preserve this archaeological and spiritual heritage, to keep the stories — and echoes — alive.

Conclusion

In the heart of Sri Lanka’s wilderness, where time stands still and silence speaks volumes, the Two Women’s Cave of Buddama remains a monument to forgotten faith and female fortitude. It invites us to listen — not just to history, but to the soft echoes of those who chose the path less spoken of, yet deeply sacred.

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TAGGED:Buddama ancient cave templeBuddama Raja Maha ViharayaFemale ascetics in Sri LankaHistorical caves in MonaragalaSri Lanka rock cave templesSri Lankan Buddhist heritage sitesTwo Women’s Cave Sri Lanka
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