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Home » Goodnews Stories Srilankan Expats » Articles » Professor Ashley Halpe, the great humanitarian I knew – I-By Rohana R. Wasala
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Professor Ashley Halpe, the great humanitarian I knew – I-By Rohana R. Wasala

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Last updated: June 20, 2021 12:03 pm
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Professor Ashley Halpe, the great humanitarian I knew – I-By Rohana R. Wasala

Source:Island

I do not know
the thin reek of blood, the stench
of seared flesh, the
cracked irreducible bone; I know
only the thinner reek of pity,
the harsh edge of self-contempt,
the ashy guilt of being too old,
salaried, safe, and comfortable.
I would know their reasons,
the rigour of their hot hate, their
terrifying faith. But
they have said everything
in dying, a communication
beyond all speech….
Ashley Halpe, ‘”April” 1971’

In the incantatory rhythm of the short meditative lyric contained in Professor Ashley Halpe’s collection of his poems entitled “Silent arbiters have camped in my skull” from which the above lines are quoted, we sense the ebb and flow of the self-assumed guilt (note the play on the word ‘ashy’ that echoes the sound of his first name) and the attendant self-contempt of a socially well ensconced and physically secure but conscience-stricken senior don; he imagined that he was so circumstanced as to be a helpless onlooker while the young students, for whose safety and wellbeing he held himself at least indirectly responsible, were getting slaughtered during the April 1971 JVP rebellion. The young people he empathised with were engaged in a violent struggle in the name of a cause that they fiercely believed in. Professor Halpe had the deepest concern for the education and wellbeing of the youth of the country. On its publication by the Tisara Prakasakayo, Dehiwala, in June 1976, Professor Halpe gifted me an autographed copy of the volume: He wrote “What about writing, too?” in the inner title page before signing it for me. I still have it with me.

He had great sympathy towards the young people who took part in the first JVP insurrection, that took place in April 1971; but he didn’t show any interest in the politics that drove their activism. He had a number of poems in that selection which were implicitly dedicated to the many young boys and girls, including university students, who had perished in that ill-prepared, ill-timed and ill-fated adventure, attempted though it was by a group of selflessly committed and genuinely patriotic young Marxists.

Tribute

This present piece of mine, reluctantly autobiographical and discursive, is a memorial tribute to the late Professor Ashley Halpe of the University of Peradeniya, who breathed his last, aged 83, on May 15, 2016. It is five years overdue, though, (the reason for which is explained below). I was prompted to write it after reading three recent write-ups published in honour of the late professor: Tissa Jayatilake’s commemorative essay “Remembering Professor Ashley Halpe”, Aparna Halpe’s filial appreciation “Learning from My Father, Five Years after His Passing” (Aparna was no more than a little chatterbox of a toddler when I first saw her in her father’s light blue Datsun stationwagon, looking through the open shutters and commenting on the passing scenes on the way in her charming baby-prattle during a drive from the campus to Kandy) and George Braine’s “Shakespeare in a takarang shed”, befitting a pupil, published in The Island issues of May 17, 23 and 26, 2021, respectively. To date, Tissa Jayatilake has written quite a number of articles in appreciation of his beloved teacher and respected senior colleague in the academia over a long period of time. I still remember how Tissa, as a novice assistant lecturer, wrote a well-argued defence of Professor Halpe, the foremost Shakespearean scholar of the time in the country as he described him, countering an attack on the latter by some biased critic; it was published in a national newspaper, probably in the Daily News or the Sunday Observer. It was in the second half of the ‘70s decade. I find many laudatory assertions Tissa makes about Professor Halpe in his deeply felt latest eulogy (which is devoid of any hint of hagiography, nevertheless), that I can endorse through my own experience as one of the late professor’s close companions (at a particular time). The only reason for my inordinate delay in writing a commemoration article in honour of Professor Halpe was my own persistent diffidence and hesitation to do so caused by the feeling that the attempt might involve telling too much about myself in the process (instead of the person remembered) that would not be of any interest to my readers. However, I have now realized that that potential danger cannot be avoided by any of his grateful students in celebrating the memory of Professor Halpe simply because of his self- effacing humble nature. While alive he played a distinguished multifaceted role in the national educational and cultural sphere as the doyen of Sri Lanka’s English literature academics.

Opportunity

I enjoyed the opportunity to closely associate with Professor Ashley Halpe, the English scholar, poet, dramatist, translator, and painter, initially as my teacher and mentor, and eventually as ‘friend and colleague’ (as he had us identify him) during the 10 years from 1972 to 1982. He treated all his junior associates in the same unassuming manner. At times a rare vainglorious person among them would pretend to be extra pally with him by addressing him by his first name, something that our then colleague, the late Aubrey Kuruppu, well known cricket columnist, commentator, umpire, administrator, and coach – in fact, cricket filled his life – used to ridicule as trying to be ‘on Ashley terms’ with the professor! Professor Halpe was above all a great human being as Tissa Jayatilake has stated more than once in his writings about the late professor.

To me, Professor Halpe was an immensely knowledgeable teacher and a kindhearted guide with a philosophical bent, at a familiar personal level, rather than at a routine official level, due to the uniqueness of the circumstances on my side that caused me to seek his help at a time I had no direct connection or communication with him; but to him, in his own generous estimation, I was one of his ‘young colleagues’, an honour I let myself accept with a keen awareness of my own inadequacy beside him. The latter phase of our relationship (‘friends and colleagues’ stage) was during 1976-82 when I served as an English instructor in what was then known as the sub-department of English (which at a later time became the English Language Teaching Unit/ELTU), whose function was to teach English to the new entrants of all the faculties of the university who lacked the proficiency in the language that they needed to acquire in order to complete their academic studies at the high level of excellence that the university traditionally maintained.

Peradeniya

The Peradeniya University’s department of English, even then, more than two decades after its heyday, harked back to its classical fame under its legendary gurus, such brilliant English scholars of the ‘40s and ‘50s as professors EFC Ludowyk, HA Passe, and Doric de Souza. They together bequeathed to the later generations of students the likes of Professor Ashley Halpe and Associate Professor Thiru Kandiah {the latter later moved to the Department of English Language and Literature of the National University of Singapore}.) The Trotskyite English don Doric de Souza (a prominent member of the Lanka Sama Samaja Party) played a significant part in the formation of the sub-department and was responsible for the compilation of a prodigious amount of appropriately chosen practice materials which were designed to meet the advanced linguistic needs of the general mass of students who had little or no English on admission.

I believe I was lucky enough, under the volatile circumstances later reflected in this personal account, to have the chance to subject myself to something of the lasting influence of the first two stalwarts mentioned above, in my attitude to, and grasp of, English literature from and through Professor Halpe, while drawing similar inspiration from the astonishingly creative and productive ideas independently incubated by Doric de Souza about teaching English for academic purposes (which our work as instructors was all about) through Dr Thiru Kandiah. I didn’t personally know Dr Kandiah before my appointment as instructor in 1976, but from then on, my friendly as well as productive interactions with him became as close as those with Professor Halpe.

At this point I feel that a quick flashback to my senior secondary school days is necessary to put my relationship with Professor Halpe in perspective. (By the way, I’d like to alert my readers to the fact that the account given here is not going to be linear; it will have a number of duly indicated flashbacks and flash-forwards, which, I hope, you will not find to be too much of a disjunction in the narrative.) My particular family circumstances caused me to interrupt my GCE AL studies and find a job. While still attending school at Poramadulla Central, I appeared for a competitive examination for admission as a ‘non-teacher’ to the Government Teachers’ Training College at Maharagama, the country’s premier secondary teacher training institution of the day (The National Institute of Education stands at the same venue today) for following a secondary English teacher training course. In those days (the latter ‘60s), Maharagama specialist trained teachers (in any of the specialized fields of science, maths, English, etc) enjoyed special recognition and were paid on a higher salary scale than those from general teacher training colleges. This salary disparity was removed under the UF government of the ‘70s. Our English teacher at the GCE OL in the mid-60s was an alumnus of G.T.C Maharagama.

Ambition

It was at the G.T.C. that I started entertaining an English Honours degree ambition, thanks to two scholarly lecturers there: Mr A.M.G.Sumanapala Akmeemana who held a BA English Hons (London) degree, and was also a postgraduate TEFL (UK) diplomate, whose thought-provoking lectures delivered in flawless (but not stilted) English left a lasting impression on my young mind. It was from him that I learned what the ‘Socratic method’ of teaching was: for a considerable part of the lecture time, he didn’t ‘teach’; he asked questions and made us think. Tissa remembers the same stimulating approach used by Professor Halpe, and I agree with him. (Incidentally, the senior English lecturer at Vidyalankara University, Mr A.M.G. Sirimanne, that George Braine mentions in his piece was Mr Akmeemana’s older brother, but I never saw him; I had only heard about him as a first-class English scholar.) The other lecturer who similarly inspired me when I was training at Maharagama was the late Ms Chitra Fernando, linguist, academic and author, and eminent English fiction writer. She was a Peradeniya English Hons graduate, who had been tutored by Professor Passe and other stalwarts in the later ‘50s; she was perhaps a little junior to Professor Halpe at Peradeniya. On my first day at Maharagama, she called me to her after a lecture, and asked me from where I was and how old I was. I told her. When I said I was 19 plus, she said to me: “You are still too much of a kid. You should be in a university, not here. Don’t stop your studies after training”. Her words made a seminal impact on me. The training gave a foretaste of my Peradeniya experience, which I went through in unusual circumstances.

Before being enrolled as students of the Teachers’ College, the successful candidates were appointed as assistant teachers so they could be paid while in training.

They were made to sign a bond committing themselves to mandatory unbroken government service for a specified period after training, failing which they were required to pay back the cost of the training in full. On completion of the two year course, they were appointed to secondary schools. As luck would have it, I was appointed to a secondary school close to my home town, which suited me in view of my family responsibilities and my postponed university education prospects. This was a year or two before the first JVP rebellion of 1971.

Now, still in my early twenties, while teaching in that school, I successfully appeared for my delayed GCE AL exam as a private candidate offering English as one of the standard four subjects to be offered at the time in the arts stream instead of the science stream which I had followed at school, and qualified to apply for enrolment in a university. However, I couldn’t legally find admission to a university or leave the state school system which employed me without losing my job because of the training college bond that I had signed with the government. So I decided to achieve my ambition as an autodidact, and got enrolled for the external degree programme of the Peradeniya university as a special English trained teacher.

Following this, I wanted to make contact with an internal student in the English department. I did that through a former schoolmate of mine who was just finishing his studies in another department of the Peradeniya university. He said he had a friend doing English, who, he was sure, would gladly help me with his notes and other materials as he was a ‘kaddek’ with revolutionary leftist ideas in politics ‘like us’, and offered to take me to him. (The slang word ‘kaddaa’ in university parlance meant a (male) person who was already competent in English or was pursuing studies in the English medium; ‘kaddee’ would have been the feminine form, which I never heard, though.)

By the way, it may be said that the campus colloquialism ‘kaduwa’ for English (from which base the above forms were derived) originated among university students, about or just before the time covered in this narrative; they, having mostly come from the non-English speaking (or exclusively swabhasha speaking) rural peasant and generally subaltern sections of the society with negligible English, recognized the alien language (English) for what it had been in the past: a symbol of colonial power and privilege and an instrument of oppression and exploitation; a perception that they expressed by calling it ‘kaduwa’ (sword). I owe this analysis of ‘kaduwa’ to Dr Thiru Kandiah mentioned above, internationally known Sri Lankan linguist, who both spoke and wrote about it occasionally in his normal research related contexts. He drew upon his research experiences among Black and other non-white subjects from dispossessed backgrounds in America in this respect. I remember him describing “kaduwa” used in that sense as a remarkably expressive poetic construction. Being a senior lecturer in English, he happened to be the coordinator of the subsidiary division of the English department at the time I got appointed to the permanent cadre of instructors in1976 after facing a highly competitive recruitment test (By that time, I had completed my English Hons degree, while working in a government school as a teacher.)

To go back in my narrative again, the ‘kaddaa’ that my school friend took me to was none other than the same Tissa Jayatilake I mentioned at the beginning of this essay, then a student of both Halpe and Kandiah. This was around 1970 to early 1972, i.e., well before I came into any close contact with the latter two. Today he is well known as English academic, political analyst and director of the Fulbright Commission of Sri Lanka, among other things. When Tissa was appointed as the director of the American Center (called the American Corner at present?) in Kandy in those early days that I am talking about, he was given a big official vehicle by the embassy that employed him. I still remember (hope my memory is not erroneous) him telling us how embarrassed he felt to be driven about in that ‘limousine’ among the poverty stricken fellow citizens of the place. I also remember attending a public lecture on the prominent ‘metaphysical poet’ John Donne (of the late 16th- and early 17th century) that he delivered as a fresh lecturer (no doubt on being recommended by Professor Halpe) at the British Council library, then located in a building adjacent to where the current supergrade branch of the Bank of Ceylon in Kandy was built decades later. In passing, it must be remembered with gratitude, that the British Council and the American Center libraries in Kandy, which were well stocked with books, offered the local readers (mostly students) free library facilities, that I made the best use of as additional resources in my scholastic endeavours.

Going a few years further back from this point, the past scene of my first meeting with Tissa is clearly etched in my mind. This was in the early ‘70s, during the months that the April ‘71 insurgency was gradually fomented, got suddenly ignited and was quenched with considerable violence. The security situation in the country was still tense consequent to the JVP revolt, which I had survived miraculously unscathed. The untimely death of my father due to sudden illness a few years previously left my family without its anchor. The responsibilities that my father shouldered largely devolved on me. This left me neither the opportunity nor the inclination to take part in the revolutionary political movement, which had been initiated by the ‘Peking Wing’ (of the Communist Party) led by N. Shanmugathasan. The activities of the ‘Peking Wing’ led to the formation of Rohana Wijeweera’s Janatha Vimukti Peramuna.

We – my school friend and I – , to resume the episode of my first meeting with Tissa, called on him in his room in a hall of residence whose name has now slipped out of my memory. He was reclining in his bed against some pillows, chatting with some friends of his (from the adjoining rooms, as was obvious). He immediately sat up, and welcomed us with warmth, while his friends left, letting him talk with us. Tissa showed great empathy with my situation. He proceeded to give me some very useful hints. He named books that he thought I had to read in addition to the prescribed texts for the first year exam or the General Arts Qualifying (GAQ) examination, which he had already been through. Later, Tissa introduced me to an assistant lecturer named Wimal Weerakkody for help with Western Classics. The latter’s brilliance in spite of his visually handicapped situation was amazing, and he was very generous in helping me. This Wimal Weerakkody was none other than the late Prof Emeritus of Western Classical Languages D.P.M. Weerakkody (familiarly known as Wimal Weerakkody), then an assistant lecturer in that subject, who was residing in either Jayatilake or Arunachalam Hall of Residence – I can’t clearly remember which – close to the Arts Theatre and the central library of the university. Meanwhile, my schoolmate friend borrowed the books that I needed from the university library using his student library tickets.

Subsequently, I passed the GAQ examination, earning eligibility to read for a Special (or ‘Honours’ as it had been known until not long before that) degree in any of the three subjects that I had offered for the GAQ (namely, English, Western Classical Culture and Economics). I opted to major in English, which had been my lifelong dream. I chose Western Classical Culture as the subsidiary subject to go with my principal subject English. This happened about a year after the first Che Guevarist uprising (1971) of the JVP was brutally put down by the government security forces, as shown above.

I thought it appropriate to go and see Ms Chitra Fernando and Mr Akmeemana at Maharagama and express my gratitude to them for invigorating me with their kind advice and guidance. Unfortunately, the former was not there. But I was able to meet Mr Akmeemana. He seemed more pleased to see me alive than to hear about my exam success (not that he underrated the second). “My family circumstances and my passion for English saved me, sir”, I told him. Like Professor Halpe (whom I came to know a year or two later), Mr Akmeemana, it was evident, wept in his heart over the ‘tragic destruction of young lives’. “Those innocent boys and girls were on the threshold of life. But their idealism killed them”, he mused, “They were just waiting to be slaughtered in the jungle!”

(To be continued)

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Otherland Galle Opens on Sri Lanka’s Southern Coast With a Locally Built Approach to Hospitality AI-generated illustration based on source material. No authentic photograph of the Otherland Galle property is embedded in this article. Otherland Hotels opened its first property, Otherland Galle, on 12 October 2026, introducing a 66-key lifestyle hotel that brings together accommodation, dining, music and locally curated experiences on Sri Lanka’s southern coast. The opening adds a new hospitality concept to a region known for its beaches, historic Galle Fort and established surf culture, with the hotel’s programme designed to encourage visitors to engage with the wider destination as well as the property. Located on Matara Road, Otherland Galle is approximately 400 metres from Dewata Beach and 2.8 kilometres from Galle Fort, the UNESCO World Heritage Site. The hotel draws on the area’s culinary traditions, creative communities and coastal way of life, positioning local experiences as a central part of its offer rather than an optional addition to a conventional hotel stay. Founded by Rishi Sreedharan, Samarth Gowda and Emanuel Siddhartha in partnership with Beryll Group, Otherland Hotels is built around the philosophy “Never the Same Twice”. Its approach combines private rooms and suites with shared accommodation and communal spaces intended for different kinds of travellers, from couples and groups of friends to solo visitors and culturally curious guests. The co-founders, pictured from left: Emanuel Siddhartha, Rishi Sreedharan and Samarth Gowda. Source photograph: Lanka Business News. A design-led mix of rooms and shared spaces Designed by Studio Camarada, led by Andre Camara, the hotel has been arranged as a series of interconnected spaces rather than a conventional sequence of corridors and separate facilities. Its interiors draw on the colours and materials of the southern coast, including sandy neutrals, ocean blues and earthy tones, alongside rattan, ash, hand-tufted textiles and marble finishes. The 66-key accommodation comprises 24 Ocean Rooms, 25 Terra Rooms, 12 suites and five dormitories. Room sizes range from 27 square metres to the 70-square-metre Patio Suite, while the property also includes rooms designed for guests with disabilities. The mix offers a range of accommodation formats within one property, including shared dormitory options alongside private rooms and suites. At ground level, Bar-kery combines several functions: reception, coffee shop, bakery, aperitivo counter and informal co-working space. Its Vinyl Corner invites guests to browse records and choose music, giving the communal area a more participatory character. Colombo Coffee Company has developed an exclusive signature blend for the hotel. AI-generated illustrative image based on the reported design approach; it is not a photograph of Otherland Galle. The rooftop venue Creatures brings together a restaurant, cocktail bar, infinity pool and music space, with 270-degree views of the Indian Ocean. It is intended to serve as a daytime dining and swimming venue as well as an evening social space, linking the hotel’s food and music programmes with its coastal setting. Sri Lankan flavours, music and a sense of place The food programme is led by Chef Rajeev Kumar and draws on Sri Lankan culinary traditions, alongside international influences and contemporary techniques. Dishes listed for the menu include King Coconut Ceviche, Yellowfin Tuna Tataki, Lankan Fish Cutlets and Devilled Pork Ribs glazed with kithul treacle. A Watalappam Brûlée brings a familiar Sri Lankan dessert into a contemporary format. Arijit Bose leads the cocktail programme, while Aneesha Thapa manages day-to-day operations. Music is another part of the hotel’s identity, with programming across Afro, R&B, folk, funk, jazz fusion, house, techno and electronica. The combination of food, music and shared spaces is intended to make the property relevant to both visitors and people from the surrounding area. Co-founder Samarth Gowda described the approach as one intended to make the hotel feel accessible and personal: > “Otherland Galle should feel like yours from the moment you walk in. Luxury has often come with a sense of distance, with places appearing impressive because they do not feel accessible to everyone. That is not what we are building. Everything here is designed around who you are and how you want to spend your time.” AI-generated illustration of ingredients associated with Sri Lankan culinary traditions; not a photograph of the hotel’s kitchen or menu. The Other Side: experiences created with local communities A key element of the concept is The Other Side, an experiences programme developed in collaboration with local surfers, fishermen, artisans, guides, chefs and musicians. The activities are designed to connect guests with people and places beyond the hotel, while drawing on knowledge and skills already present in the Galle region. The programme includes curry masterclasses, guided walks through Galle Fort and surf lessons at Dewata Beach. Further afield, guests can take whale-watching excursions off Mirissa or kayak through the mangroves of Koggala Lake. Rooftop sunset sessions, arrack tastings, beach cricket and tuk-tuk bar crawls are among the social activities described as part of the offer. This community-led model gives local participants a role in shaping and delivering visitor experiences, rather than presenting the area only as a backdrop for sightseeing. Its longer-term value will depend on how consistently these partnerships are sustained and how directly local contributors benefit from the activity they help create. Co-founder Rishi Sreedharan said: > “At Otherland, curiosity is the operating principle. We measure success by whether guests leave with a real sense of Galle. The surfers, fishermen, chefs and craftspeople who live here have helped build these experiences, and they are the ones bringing them to life.” AI-generated coastal illustration based on the article’s setting; it does not depict a verified view from the property. A new option for visitors to Galle The opening marks the first phase of Otherland Galle’s development. A gym, wellness centre and banquet facilities are planned for a subsequent phase. The property’s initial offer, however, is already structured around more than its room inventory: its communal areas, food and beverage venues, music programme and locally developed activities form a connected hospitality concept. For Sri Lankans abroad planning a visit home, the opening provides another option near Galle, with a programme that brings together coastal recreation, local food, heritage and community knowledge. For the Galle area, the approach places local contributors at the centre of the visitor experience. Whether the model makes a lasting contribution will be measured not only by the facilities it offers, but also by the strength and continuity of those relationships. The launch also reflects a wider interest among culturally curious travellers in experiences that extend beyond accommodation and conventional sightseeing. In Galle, where historic landmarks sit alongside a living coastal culture, the opportunity is to create hospitality that is carefully designed while remaining connected to the people and traditions that give the destination its character. Sources: Lanka Business News; Colombo Times; Hiru News Gold FM; SoulofHospitality. This article was written based on the source https://www.lankabusinessnews.com/otherland-hotels-makes-its-debut-in-galle/ and corroborated by https://colombotimes.net/otherland-hotels-makes-its-debut-in-galle/, https://hirunews.lk/goldfmnews/493932/otherland-galle-opens-with-66-rooms-introduces-dormitories-to-luxury-hotel-mix and https://www.soulofhospitality.com/business/hotel-openings/otherland-hotels-enters-sri-lanka-with-a-new-approach-to-lifestyle-hospitality, kindly email us at info@eLanka.com.au if any information needs to be corrected. Click here to receive your free copy of the eLanka Newsletter twice a week delivered directly to your inbox! At eLanka, we respect the rights of creators. If we have used an image you own and you'd like it removed, please email us at info@elanka.com.au and we’ll handle it promptly. Thanks. eLanka team eLanka Disclaimer Content published on eLanka may be created by the eLanka team, submitted by contributors or third parties, reproduced or adapted from other sources with appropriate source acknowledgement, or provided as promotional/advertising material by our clients. While eLanka takes reasonable care in preparing and publishing content, we do not warrant its completeness or accuracy. Views expressed are those of the respective authors or contributors and do not necessarily represent the views of eLanka. Third-party contributors, content providers and advertisers are responsible for the accuracy of material they supply and for ensuring they hold the necessary rights and permissions for its publication. Advertising and promotional content should not be regarded as an endorsement by eLanka of any product, service or claim.
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