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Home » Goodnews Stories Srilankan Expats » Articles » Channa Gunasekera Featured by CRICKETIQUE in 2012
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Channa Gunasekera Featured by CRICKETIQUE in 2012

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Last updated: April 10, 2026 8:18 pm
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Channa Gunasekera Featured by CRICKETIQUE in 2012

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Source:Thuppahis

Notice in the Nation: Former Sri Lanka captain and SSC stalwart Arjuna Ranatunga is presented with a copy of the book ‘Through the Covers’ written by the late Channa Gunasekara by his grand daughter Nihara at the book launch held at the SSC pavilion on Friday. Gunasekara’s son Chanaka is also in the picture. Gunasekara was a former Sri Lanka cricketer who represented SSC in the fifties – (Pic by Rukshan Abeywansha).

Foreword in Through the Covers by Mahinda Wijesinghe

Siblings of famous parents have a formidable cross to bear. Some wilt, as did John, son of the legendary Sir Donald Bradman, who temporarily changed his surname as well to avoid the inevitable comparison! However not Channa. In his own words, he deemed it “a privilege as well as a challenge” to be born the son of Dr.C.H.Gunasekera – the father of Ceylon cricket. “Dr.C.H.” was a medical doctor, author, playwright, pianist, historian, all-round sportsman and a keen student of Buddhism, all rolled into one. Didn’t Sir Pelham Warner, former captain of the champion county Middlesex in 1921 & 1922, under whom Dr.C.H. played commented: “In a long life, one of the things I am least likely to forget is Gunasekera’s beautiful fielding. He was a good companion and I am glad that I had the opportunity of playing with him.” The doyen of English cricket writers, E.W.Swanton, compared Dr.C.H.’s fielding in the covers to that of the West Indian legend Learie Constantine. Certainly defies anyone to be compared with such a luminary. This was the challenge that young Channa faced when climbing the ladder of life.

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Channa at Lords Longroom

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What is more, Dr.C.H. was the first Ceylonese to have played English county cricket, and up-to-date the only local player to have been a member of a champion county side. In fact, Channa proudly showed me the gold medal his father was awarded on this occasion. The son obviously did not reach the lofty heights attained by his versatile and illustrious father who excelled in many a different field but, in the field of cricket, the ‘Old Man’ must be having a contented smile from atop the Elysian fields in approval of his son’s feats, including his achievements in athletics, lawn tennis and a not too successful effort at rugby football. After all, didn’t his son, though not a great academician, become head prefect and follow his father’s footsteps by captaining Royal College first XI cricket team, and later opened batting for club and country, and more importantly contributed handsomely to the cricketing reputation of the network of the Gunasekeras? Didn’t Jack Fingleton, famed Australian opening batsman, a highly respected journalist, after having watched Channa’s unbeaten innings of 66 runs for Ceylon against the Australian attack comprising Miller, Johnstone, Archer and Benaud, at the Colombo Oval enthused: “While on tour in England I never came across a better opening batsman than Gunasekera who was top class.”

Through the Covers is a meticulously compiled autobiography of Channa, completed more or less just before his demise. This is his second effort in compiling a book, the first being ‘The Willow Quartette” (Sumathi publishers 19??) where the feats of four of the greatest cricketers produced in this country, M.Sathasivam, F.C.de Saram, C.I.Gunasekera and S.S.Jayawickrema, were chronicled, for the first time, for posterity.

Through the Covers’covers in great detail, in fact, bordering on the excessive, of Channa’s career from his schooldays. His penchant for detail, however insignificant it maybe for the casual reader, is a reflection of his inherent character; always a stickler for detail. Or as a wag commented in lighter vein: “All these cricketing Gunasekeras do have something peculiar about them.” Of one thing you can be certain, having read the book, one can be certain that what is found inside the covers of this book can be accepted as gospel. Such was his attention to facts. In those days, opportunities of playing against international players were few and far between. As Channa admits rather ruefully: “We were grounded at home, twiddling our thumbs, our talents kept hidden and carefully wrapped in cold storage, with no avenues for expression.”

However,  ‘Through the Covers’ takes the reader through many games, incidents, anecdotes and characters, and how the game was played in Ceylon. In those times, beginning in the decade of the 1940’s, when cricket was a sport, and not an industry, also gives the reader an insight into the social fabric of those times. For instance, read about the occasion when Channa as captain of Royal College, during the ‘Big-match’ recalled Thomian batsman Chellaraj who had been adjudged ‘run-out’ – unfairly thought Channa –  to the crease. “The first and only time I believe such a thing had happened in this historic series, or in any other important game of cricket in Ceylon” writes Channa. Another interesting anecdote relates to an incident in athletics when the late Lakshman Kadirgamer broke Channa’s 120 yards hurdles record – with a questionable start! –  set barely 24 hours earlier by “very nearly 0.7 seconds”. Channa also has the ability to laugh at himself when he finally “did a high jump” to complete the grueling 400 metres hurdles event and “finished a valiant second”. I leave it to the readers to read and find out how many competitors participated in this event.

The readers would be taken around the entire fabric of cricket at the top in Ceylon, including overseas tours – Gopalan Trophy games in Madras – and the visits by international teams from England, Australia and the Commonwealth XI’s. Channa gives us a ring-side view of all the big names in the local and international cricket scene with immaculate details of course – after all he had played with or against them – in his inimitable style. True, he had a few hiccups with his club the S.S.C., but that is to be expected since Channa always stuck stubbornly to what he thought was correct and was not averse to express his point of view. For instance, how he reacted when a Cricket Board official tried to influence him, as the adjudicator, to nominate the Man of the Match to someone of his choice.

Through the Covers is basically meant to be an autobiography of a gentleman cricketer who played at the top level with the best in the land at that time. However that did not preclude him from enjoying other delights in life on offer. Snippets of this aspect of Channa’s life are strewn adding spice to the reader. Less said about his attempt to enter the stage – with encouragement from the incomparable Lucien de Zoysa – when, as a result of having given the wrong cue, “ferocious war drums started beating with blaring trumpets during a tender love scene!” Music was in his blood, and ballroom dancing was another field he was contemplating to enter on a competitive basis but decided otherwise since it interfered with his daily cricket practices. In later life he found much solace in listening to classical music and in his indulgence in playing bridge with a select band of friends.

Though not mentioned in the book, I would be failing in my duty if I did not pay tribute to his wife Shanti, and son Chanaka. During the evening of Channa’s life when the spectre of illness began to take its toll, Shanti, with support from his son Chanaka, gave him tender care until the last. It must have been a trying time but Shanti was equal to the task whisking him to the hospital for treatment at every turn and attending to all of Channa’s needs with loving attention.

Reading Through the Covers  one gets a clear picture of a man who had cricket literally and metaphorically flowing in his blood, of a man who had a deep and an abiding love for the game and maintained cricketing principles both and off the field, sometimes even to a fault. If only, a hackneyed phrase in cricket, Channa was born a few decades later he would certainly have adorned our Test team without a doubt.

***********

Through the Covers can be purchased in two ways — (A) Credit Card payment of Rs. 800/plus rs 1050/ postage from Vijitha Yapa Publications at www.vijithayapa.com

(B) Aus $ 10(ten) plus postage from Chanaka Gunasekara, Email: chanaka_gunasekara@yahoo.com.au +  Mob: +61 410 640 445  (

*****************

ALSO SEE “Four Tributes to Channa Gunasekara from Chesters, Roberts, Turner, Ananth” ….

https://cricketique.live/2010/08/04/three-tributes-to-channa-gunasekara-from-chesters-roberts-turner/

RECORD IN CRICINFO

Full name Channa Hemasiri Gunasekera

Born June 23, 1931, Ceylon

Died October 4, 2008, Sri Lanka (aged 77 years 103 days)

Major teams Ceylon

Relation   Father – CH Gunasekera,   Cousin – WL Mendis,   Cousin – LDS Gunasekera,   Cousin – VJH Gunasekera,   Cousin – CI Gunasekera

Batting and fielding averages
Mat Inns NO Runs HS Ave 100 50 Ct St
First-class 12 21 2 449 108 23.63 1 2 7 0
Bowling averages
Mat Balls Runs Wkts BBI BBM Ave Econ SR 4w 5w 10
First-class 12 12 10 0 – – – 5.00 – 0 0 0
Career statistics
First-class span 1950-1959
Profile

Channa Gunasekera was a versatile sportsman who took his cricketing genes from his father, Churchill, the first Sri Lankan player to represent an English county. Born on June 23, 1931, exactly 15 years after Len Hutton, his role model, Channa followed his father by captaining his alma mater Royal College and Sinhalese Sports Club. He became an automatic choice as an opening batsman for Sri Lanka in the 1950s. Channa played for his country at the age of 19 and during his career toured India thrice, scoring five centuries in seven matches. He then captained Colombo CC in the division III tournament before coaching both Royal College and Nalanda College. In 1983 he became a national selector. Besides cricket, Channa also excelled in athletics and tennis. A keen student of the game, he wrote regularly in newspapers on various topics apart from commentating on radio and television. Channa died aged 77 in October 2008.
Sa’adi Thawfeeq  October 2008




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Otherland Galle Opens on Sri Lanka’s Southern Coast With a Locally Built Approach to Hospitality AI-generated illustration based on source material. No authentic photograph of the Otherland Galle property is embedded in this article. Otherland Hotels opened its first property, Otherland Galle, on 12 October 2026, introducing a 66-key lifestyle hotel that brings together accommodation, dining, music and locally curated experiences on Sri Lanka’s southern coast. The opening adds a new hospitality concept to a region known for its beaches, historic Galle Fort and established surf culture, with the hotel’s programme designed to encourage visitors to engage with the wider destination as well as the property. Located on Matara Road, Otherland Galle is approximately 400 metres from Dewata Beach and 2.8 kilometres from Galle Fort, the UNESCO World Heritage Site. The hotel draws on the area’s culinary traditions, creative communities and coastal way of life, positioning local experiences as a central part of its offer rather than an optional addition to a conventional hotel stay. Founded by Rishi Sreedharan, Samarth Gowda and Emanuel Siddhartha in partnership with Beryll Group, Otherland Hotels is built around the philosophy “Never the Same Twice”. Its approach combines private rooms and suites with shared accommodation and communal spaces intended for different kinds of travellers, from couples and groups of friends to solo visitors and culturally curious guests. The co-founders, pictured from left: Emanuel Siddhartha, Rishi Sreedharan and Samarth Gowda. Source photograph: Lanka Business News. A design-led mix of rooms and shared spaces Designed by Studio Camarada, led by Andre Camara, the hotel has been arranged as a series of interconnected spaces rather than a conventional sequence of corridors and separate facilities. Its interiors draw on the colours and materials of the southern coast, including sandy neutrals, ocean blues and earthy tones, alongside rattan, ash, hand-tufted textiles and marble finishes. The 66-key accommodation comprises 24 Ocean Rooms, 25 Terra Rooms, 12 suites and five dormitories. Room sizes range from 27 square metres to the 70-square-metre Patio Suite, while the property also includes rooms designed for guests with disabilities. The mix offers a range of accommodation formats within one property, including shared dormitory options alongside private rooms and suites. At ground level, Bar-kery combines several functions: reception, coffee shop, bakery, aperitivo counter and informal co-working space. Its Vinyl Corner invites guests to browse records and choose music, giving the communal area a more participatory character. Colombo Coffee Company has developed an exclusive signature blend for the hotel. AI-generated illustrative image based on the reported design approach; it is not a photograph of Otherland Galle. The rooftop venue Creatures brings together a restaurant, cocktail bar, infinity pool and music space, with 270-degree views of the Indian Ocean. It is intended to serve as a daytime dining and swimming venue as well as an evening social space, linking the hotel’s food and music programmes with its coastal setting. Sri Lankan flavours, music and a sense of place The food programme is led by Chef Rajeev Kumar and draws on Sri Lankan culinary traditions, alongside international influences and contemporary techniques. Dishes listed for the menu include King Coconut Ceviche, Yellowfin Tuna Tataki, Lankan Fish Cutlets and Devilled Pork Ribs glazed with kithul treacle. A Watalappam Brûlée brings a familiar Sri Lankan dessert into a contemporary format. Arijit Bose leads the cocktail programme, while Aneesha Thapa manages day-to-day operations. Music is another part of the hotel’s identity, with programming across Afro, R&B, folk, funk, jazz fusion, house, techno and electronica. The combination of food, music and shared spaces is intended to make the property relevant to both visitors and people from the surrounding area. Co-founder Samarth Gowda described the approach as one intended to make the hotel feel accessible and personal: > “Otherland Galle should feel like yours from the moment you walk in. Luxury has often come with a sense of distance, with places appearing impressive because they do not feel accessible to everyone. That is not what we are building. Everything here is designed around who you are and how you want to spend your time.” AI-generated illustration of ingredients associated with Sri Lankan culinary traditions; not a photograph of the hotel’s kitchen or menu. The Other Side: experiences created with local communities A key element of the concept is The Other Side, an experiences programme developed in collaboration with local surfers, fishermen, artisans, guides, chefs and musicians. The activities are designed to connect guests with people and places beyond the hotel, while drawing on knowledge and skills already present in the Galle region. The programme includes curry masterclasses, guided walks through Galle Fort and surf lessons at Dewata Beach. Further afield, guests can take whale-watching excursions off Mirissa or kayak through the mangroves of Koggala Lake. Rooftop sunset sessions, arrack tastings, beach cricket and tuk-tuk bar crawls are among the social activities described as part of the offer. This community-led model gives local participants a role in shaping and delivering visitor experiences, rather than presenting the area only as a backdrop for sightseeing. Its longer-term value will depend on how consistently these partnerships are sustained and how directly local contributors benefit from the activity they help create. Co-founder Rishi Sreedharan said: > “At Otherland, curiosity is the operating principle. We measure success by whether guests leave with a real sense of Galle. The surfers, fishermen, chefs and craftspeople who live here have helped build these experiences, and they are the ones bringing them to life.” AI-generated coastal illustration based on the article’s setting; it does not depict a verified view from the property. A new option for visitors to Galle The opening marks the first phase of Otherland Galle’s development. A gym, wellness centre and banquet facilities are planned for a subsequent phase. The property’s initial offer, however, is already structured around more than its room inventory: its communal areas, food and beverage venues, music programme and locally developed activities form a connected hospitality concept. For Sri Lankans abroad planning a visit home, the opening provides another option near Galle, with a programme that brings together coastal recreation, local food, heritage and community knowledge. For the Galle area, the approach places local contributors at the centre of the visitor experience. Whether the model makes a lasting contribution will be measured not only by the facilities it offers, but also by the strength and continuity of those relationships. The launch also reflects a wider interest among culturally curious travellers in experiences that extend beyond accommodation and conventional sightseeing. In Galle, where historic landmarks sit alongside a living coastal culture, the opportunity is to create hospitality that is carefully designed while remaining connected to the people and traditions that give the destination its character. Sources: Lanka Business News; Colombo Times; Hiru News Gold FM; SoulofHospitality. This article was written based on the source https://www.lankabusinessnews.com/otherland-hotels-makes-its-debut-in-galle/ and corroborated by https://colombotimes.net/otherland-hotels-makes-its-debut-in-galle/, https://hirunews.lk/goldfmnews/493932/otherland-galle-opens-with-66-rooms-introduces-dormitories-to-luxury-hotel-mix and https://www.soulofhospitality.com/business/hotel-openings/otherland-hotels-enters-sri-lanka-with-a-new-approach-to-lifestyle-hospitality, kindly email us at info@eLanka.com.au if any information needs to be corrected. Click here to receive your free copy of the eLanka Newsletter twice a week delivered directly to your inbox! At eLanka, we respect the rights of creators. If we have used an image you own and you'd like it removed, please email us at info@elanka.com.au and we’ll handle it promptly. Thanks. eLanka team eLanka Disclaimer Content published on eLanka may be created by the eLanka team, submitted by contributors or third parties, reproduced or adapted from other sources with appropriate source acknowledgement, or provided as promotional/advertising material by our clients. While eLanka takes reasonable care in preparing and publishing content, we do not warrant its completeness or accuracy. Views expressed are those of the respective authors or contributors and do not necessarily represent the views of eLanka. Third-party contributors, content providers and advertisers are responsible for the accuracy of material they supply and for ensuring they hold the necessary rights and permissions for its publication. Advertising and promotional content should not be regarded as an endorsement by eLanka of any product, service or claim.
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