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Home » Goodnews Stories Srilankan Expats » Articles » REMINISCING LEGENDARY MUSIC LEGEND , FIRST PROFESSOR OF MUSIC , Dr AMARA RANATHUNGA By Sunil Thenabadu in Brisbane
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REMINISCING LEGENDARY MUSIC LEGEND , FIRST PROFESSOR OF MUSIC , Dr AMARA RANATHUNGA By Sunil Thenabadu in Brisbane

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REMINISCING LEGENDARY MUSIC LEGEND , FIRST PROFESSOR OF MUSIC , Dr AMARA RANATHUNGA By Sunil Thenabadu in Brisbane

Sunil-Thenabadu

Contents
  • REMINISCING LEGENDARY MUSIC LEGEND , FIRST PROFESSOR OF MUSIC , Dr AMARA RANATHUNGA By Sunil Thenabadu in Brisbane
  • RESEARCHES MADE BY SHRASTRAPATHY SANGEETH NIPUN RUPASHIKA RANATHUNGA
Dr Amara Ranathunga nee Kasthuriaratchchi a native of Hanwella  born on year 1939 has had hereditary affiliations to music as her father and many family affiliates had all been music fanatics, hence it was natural for  her too to pursue music been a member of the famous ‘Lama Pitiya ‘ from her young age along with her husband Dr Dayaratna Ranathunga a native of Kirulapona, Father had been the first male student of the then Heywood College of music. from where he. had graduated in music. For her inherited talent in music her father a very well to do person had sent her to the Bhathkanda  University in Lucknow India.between the years 1961 to 1964.After which for  her PhD she was sent to Baranas Hindu university located at Varanasi,Uttara Pradesh which is the prestigious central university, the largest central university in Asia..The nuptial knot  between the duo was tied on30th January 1960.

AMARA RANATHUNGA

Rupashika is the youngest sibling having two elder brothers , elder Pulasthi Indika and  Nanditha Sarada. During her very young age Rupashika reminisces how she too sat with the mother music class pupils listened to the music lessons her mother taught to students with supreme dedication, most of them later became famous musicians and singers in native Sri Lanka. When Rupashika entered school the music that was taught was easily grasped by her having learnt many Raagas  so fluently at home. There was a period when only daughter Kumudumathie Rupashika while a young school girl in the higher classes during her school vacation used to visit her mother a resident in the  Baranas university along with her father. From the age of twelve the favourite extra-curricular activity  of her in school was dancing’ which Rupashika had closely  pursued  having learnt under professional dance teachers  Padmini Dahanayake and Kamala Jayatilleke -‘Bharatanatyam’ style which is the traditional dance style in India  Rupashika was also trained in  ‘Kathak Dance’ under Madam RanjanaSriwathawa and  in vocal music under Madam VanamalaParavathkar.Rupashika had learnt Kandyan dancing  from Channa Wijewardena and Upuli Panibaratha..However after a number of constant visits at regular intervals to Baranas  Hindu  university when Rupashika was in the higher classes she had got a fondness to study music emulating her illustrious mother having got used to the music lecturers , people, culture and life styles in India thus becoming a familiar environment for her in many conducts. When mother Amara Ranathunga was reading for her doctorate (PhD ) in the final year she was enrolled to the Baranas  Hindu University for her Sangeeth Visharada, Sangeeth Nipun  which Rupashika  had triumphed over with ease over a period of time. She is the music teacher of prestigious Masaeus  College for over an decade doing yeoman service to children.Rupashika’s research studies and music therapy training was made at the University of Sri Jayewardenapura university while the other research on music therapy for her PhD at the same university .Rupashika had completed her music therapy studies at Chennai school for music therapy which had guided her to work as a music therapist.

Dr Amara Ranathunga after her PhD had initially worked  as the  music teacher at Meegoda MMV  before joining the Kelani University as the music lecturer has the distinction of been elected as the first Professor in music. It was Dr Amara Ranathunga who was chiefly instrumental in establishing the aesthetic and performing  arts unit in the Kelani University, Some of her popular songs  among many which are still hits even today are Selalihiniyo,Sapumal Suwadak Se,Upuli,Radha Krishna, Maha Reya Yame,  Pem Sirilale, Prema kathawaka,,Nawathen Tharu Arundathi, Dedarai Himi Netha Sitha, Sanda Ahase etc which are hits even today , sure to be triumphs for many years to be loved by generations. Rupashika recollects attending to many musical concerts where her parents sang constantly.The  music concert “SARANGA” of the parental duo was reminisced by Rupashika in a television dialogue. The singing instincts  of the parental duo was via hereditary affiliations was naturally inherited to Rupashika and her two sons Lakidu Watsara and  Nadula Akashmitha who could sing well and play many musical instruments had excelled in studies at their alma mater St. Joseph’s College A few songs of Rupashika  recorded are titled ‘Api Denna’,’Uthum Daham’’Ranwan Eran Mala,’ Buddhist song ‘Chandrayana’ and a duet with father ‘Sande Ahase’.  Rupashika’s husband ism Gayan Nithantha a businessman coud sing have sung a few duets with Rupashika but not made public.
After her tenure in the Kelani University she served the University of  visual and performing arts rising to the rank of the Head of the music department  of the university during her tenure she had developed the then existing  standard of the university to unprecedented tall boosts. A few years after her retirement had prolonged her music career  had authored music books had lived healthily until her demise on 16th October 2018 while under treatment at private nursing home following  a sudden heart attack.Most of the above information were extracted from a television interview Maharu Television conducted at Rupashika’s residence. at which she sang a number of mother’s songs to the music backing of  her elder son,. The presenter added her dwelling was somewhat of a museum with so many trophies, musical instruments, photos  etc,
AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA

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AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA AMARA RANATHUNGA

AMARA RANATHUNGA

RESEARCHES MADE BY SHRASTRAPATHY SANGEETH NIPUN RUPASHIKA RANATHUNGA

EXPRESSING <MOODS VIA MUSIC
Music is a medium that comprises a blend of musical notes, tune and tone. It is used to express the moods in the human mind. It so happens when the mind that is connected to tone and rhythm releases feelings. By listening to different types of music, different feelings occur. The mind that is stimulated because of the harmony of musical notes creates numerous sentiments.
The voice is useful in creating these feelings in one’s mind. In fact, voice is a very powerful tool. For example, more than something that is being told in a softspoken manner, something mentioned in a strong voice will always be remembered better. Accordingly, when a song is sung, the strength of the singer’s voice matters a lot, and he/she should also have an emotional voice for the meaning of the song to reach the listener. When moods are expressed through music, the voice should be very strong. In order to have such strength, it is important to have the power of life in one’s body. This power of life can be developed by practicing Yoga. Therefore, most Indian musicians practice Yoga exercises in order to strengthen their voices by developing their power of life.
Music is used in expressing many moments and emotions such as happiness, sadness, devotion towards God, romantic love and the love between a mother and child. In fact, music is a combination of all feelings in the world, and it is considered the utmost medium of art because of its ability to completely work in connection to human feelings. A child, from the moment it is born, expresses emotions utilizing sound. For instance, infants, though they are unable to articulate verbally, they express emotions such as sadness, happiness, sleepiness and hunger through various sounds. Not only humans, but even other animals use sounds to show how they feel. Furthermore, ancient Indians have discovered through research conducted in relation to Raag therapy that every animal is affected by sound.
Actions that automatically take place within a human such as beating of the heart, breathing and flowing of the blood occur according to a rhythm, and it is because of this reason that the human body can be easily controlled using the rhythm of music. In the same manner, the human mind too can be controlled with the use of music. We have often seen hyperactive children being controlled by giving them medicine. However, this practice may have long term effects and can lead to the child having a weak mind. The mind and body both can be regularized by using rhythm. By doing so, it not only develops aesthetic appreciation in the child but also the mind and body will be controlled without any harmful effect. Music therapy has introduced various exercises that are helpful in this regard. A mentally challenged child may have difficulties in expressing emotions. At such instances, music is used to get rid of the child’s disturbing nature. Playing a musical instrument, singing aloud in tune to a music and clapping to a rhythm are some such exercises.
AMARA RANATHUNGA 20
In the past, villagers got rid of their loneliness by singing songs such as ‘Pel Kavi’, ‘Gal Kavi’ and ‘Paaru Kavi’. Such folk songs were sung at various instances such as when praising the beauty of a flower, expressing love, speeding up the reaping of the harvest and getting the paddy field ploughed by buffaloes. Even at funeral houses, songs of mourning were sung to share grief with fellow grievers. All these examples prove that the man, from his birth to death, having been using music to express his emotions.
Music waves, while stimulating the human mind, produce numerous moods. Music is essential to the life of a human. Tone and rhythm, which have a become an important component of the environment and culture of the man, are very helpful in maintaining the day-to-day life. The most sensitive medium of expressing moods is music. Music has the ability to change moods and tastes according to rhythms and combinations of musical notes. The one who is associated with music, while developing his/her ability of enjoyment, attracts the universal energy very fast. Music majorly contributes towards

MUSIC AS A THERAPY

Music as a Therapy
A newborn baby steps into this world hearing his/her mother’s song of love and compassion; a
song that blooms out of pure motherly love that soothes and cradles the child. On the other
hand, a child communicates his/her numerous needs and wants through sounds while the
movements of a human being take place according to sound and rhythm both. Further, the
existence of life, circulation of blood and many other related actions occur rhythmically.
Music is created when sound and rhythm are amalgamated. From ancient times, people have
believed that music, which is considered a global language, amazingly contains life. Over the
years, many a psychologist has proved through research that music therapy could be utilized in
curing psychological as well as physical ailments. Ancient Indians believed that one could attract
cosmic powers through music while history speaks of early Greeks and Egyptians who have used
music to reinvigorate the health of humans. In the meantime, it was Pythagoras who first
discovered the therapeutic quality contained in music (Rochelle, Paul, Virginia. M, 1958).
Apart from that, Vedic Scripture, Holly Bible, and Plato as well as Aristotle have mentioned that
music influences the daily routines of humans.
In the Thirteenth Century, Arabs had used music to cure various types of sicknesses; meanwhile,
the French scientists too had practiced music therapy. During World War I, music therapy was
popularly used as Melotherapy. However, this usage obtained scientific permission only after
World War II. In general, doctors believe that people fall sick when their physical rhythm
undergoes any sort of change. The Russian physician Garber, who was of the same view, studied
more extensively on music therapy and referred to it as Psycho Rhythmo Therapy. Through
experiments he discovered that music could make changes in the human brain.
Even the simplest of musical instruments can change the Alpha rays created in the brain while
rhythm controls one’s heartbeat and the breathing process. In 1991, a group of scientists
discovered that sound waves can develop the amount of Ethanol in a human’s body, which is a
key factor affecting the excitation of feelings. Infrasounds are what could be heard under
normal circumstances, which excite feelings thereby making one active. While what cannot be
heard are ultrasounds, can lead to laziness.
Utilizing music as a therapy can be performed in several ways:
1. As a sedative or a tranquilizer that soothes away mental pressure
2. As a pain killer
3. As a remedy in nerve related issues
4. As a stimulus in physical activities and exercising
5. In exhibiting one’s moods
6. For appreciation
7. For mental equilibrium
8. As an accessory in a treatment
As a result, music can be considered a medium that has a massive therapeutic effect. The waves
released into the universe by the nature amalgamates with music and the intricate messages
sent by the sound waves of this amalgamation get deposited in the sensitive areas of the human
brain creating excitement that leads major changes. Accordingly, music is a universal language
as a well as a medium that promotes the wellbeing of human beings.
The Therapeutic Value of Sinhala Semi Classical Songs –
We have listened to numerous light songs broadcasted on radio. Some of them have been composed based on Hindustani music. We have quite often witnessed such music containing embellishments such as cadential trills which are visible in Khayal songs. Such songs are known as semi classical songs. Furthermore, many a song composed based on the raagas have been quite popular in Sri Lanka. In some of them, the raaga elements are very much visible and they are present all through the song. In certain songs, only its bases include raaga elements. Apart from that, there are certain other songs composed using a reflection of raagas.
Accordingly, semi classical songs could be categorized as follows:
1.  Songs firmly based on raaga forms
2.  Songs slightly mixed with raaga forms
3.  Songs with a touch of raaga
(Sinhala Geethaye Ragadhari Pasubima – B. Victor Perera, 1999)
Let us now discuss the song ‘Sendha Ahase Irata Muvaven’ sung by Professor Dayarathna Ratathunga which is strongly based on Raag forms. This song, written by the well-known lyricist Doctor Sunil Sarath Perera and composed by Professor Dayarathna Ranathunga, is greatly relied on the Yaman Kalyan Raaga, and it speaks of the evening time of the day.
“Sendha Ahase Irata Muvaven kaalaya kavulu dhorin miya yanawa ………
Sendha Ahase …….. “
(“The time dies away through the window by hiding from the sun in the evening sky ……..
In the evening sky ………..”)
             The best time to sing the Yaman Kalyan Raaga is the evening. In fact, every Hindustani Raaga has a specific time to be sung, since the particular raaga can then excite the relevant emotions of the singer. It has been proven that the sound waves released through musical notes are strongly effective on the surrounding atmosphere as well as the physical body of people. The most suitable time considered for the Yaman Kalyan Raaga to be sung is from 4 – 7pm. The Yaman Kalyan Raaga  which should be chanted during the time of the sunset has well suited the lyrics of the song in discussion and the relevant musical notes have further beautified the song.
“Etha atheethen piyawara nagamin ….. kana wela allan kawudho enawa ………..
Balaporoththuwa layata thurulu wee ……. ea ena pera maga bala sitinawa ……..”
(“Someone from the past is coming holding a walking stick ………   
Holding on to expectations, he waits for her staring at the road …….”)
AMARA RANATHUNGA 21
When the lyrics of a certain song aim at making the listener feel the current of emotions of a lonely heart or a memory from the past, and when it is done so by combining that particular song with the amalgamation of the intensive and pure madhyams of the musical notations of the Yaman Kalyan Raaga, it becomes further close to the heart of the listener.
According to raaga therapy, among the raagas used in reducing emotional stress, the Yaman Kalyan Raaga  holds a special place.
While being stressed with various daily chores, the human mind encounters abundant issues, and this leads to creating emotional pressure. What people mostly tend to forget is that such mental pressure could be the root cause of many physical ailments. To minimize this pressure, at the end of the day, one could be engaged in many diverse  activities such as listening to music, yoga, meditating or exercising.
Studies have proved that raaga therapy is capable of developing various chemical processes that occur in the human brain and creating a positive effect on the mind as well as the body. Accordingly, music is favourable for all activities that take place in the brain. When raaga music cannot be utilized directly, songs mixed with raagas could be used as music therapy. The song ‘Sendha Ahase’ excites one’s mind with an atmosphere of a silent environment and also peaceful, relaxing and erotic feelings. Therefore, it is most suitable to daily listen to and or sing such songs in order to minimize mental pressure.
AMARA RANATHUNGA
When a human is born as a child, there is no personality development within them. However, eventually, when the brain and body develops,  due to the experience gained while growing up in society along with the characteristic guidance provided by adults, there occurs personality development. A nice personality with good qualities can be developed depending on one’s living environment, the culture he associates and the religious values he follows.
Personality is not a mere physical characteristic. In fact, it is to do with much more such as his behaviour, values, intelligence, thoughts, as well as how he interacts with others. Personality is thoroughly analyzed in Psychology. One’s personal qualities well affect how he is liked or disliked by others in society.
The sound waves of the environment we live in have the ability to affect our thoughts. The sounds that we hear are two-fold, namely: noise and tone. Noise consists of harsh sound waves that are not formerly organized while tone has tuneful waves that are well organized. Irregular sound waves of noise not only complicate the human brain while regular sound waves excite certain parts of the brain and develop feelings and moods.     
I am sure you have seen glasses being broken due to sharp pitched sound waves. In fact, rhythmic sound waves can even break a colossal bridge. This happens because of the vibration of sound waves. When sound waves are mixed with music enter the human brain, hormones are released while many actions take place within. In music therapy, soft music is used to calm the mind. By studying music, one’s thoughts could be changed positively and in order to do that, many activities are being utilized. Studying music or being involved in musical activities can bring benefits such as being disciplined, developing patience, being single-minded, improving the mind and being active. By changing one’s thoughts, he becomes not only a likeable person but also an accepted person in society.
Listening to music can make the mind healthy and also develop one’s ability to appreciate aesthetics. Enjoyment of aesthetics can create various moods, and these moods can lead to positive emotions while such emotions directly influence one’s personality development. In fact, the raag tunes included in music can discipline you. When studying Raag music, it is important to be single-minded and the ability to maintain this quality can be improved by being involved in activities related to raag tunes. Raag music also develops thoughtfulness, intelligence and knowledge.
A child who is associated with music from the early days is well used to self-satisfaction and self-control. Among the present generation of children, there are many who are used to taking drugs and alcohol. This is a habit that many children with weak minds are addicted to in order to get some temporary relief from the issues they face in life. Yet, the outcome of this habit is a tragic end of life. So, if the child is to be saved from such a disaster, his mind needs to be made stronger, and strengthening his mind is definitely a better method than trying to pull him out of a disaster he has already fallen into. The easiest way to do this is to direct him towards any form of art from his early days. In fact, music therapy has the ability to strengthen weak minds and activate physically weak children.
Listening to music and appreciating it is a vital component in one’s life. It helps in developing emotions such as positive thoughts, kindness, mercy and compassion, and recognize and feel other people’s sadness and happiness which in turn helps one to live as a well-accepted person. Good thoughts and good values do create a good personality. Accordingly, music is a creative art that has the ability to produce important people with great personalities.




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Otherland Galle Opens on Sri Lanka’s Southern Coast With a Locally Built Approach to Hospitality AI-generated illustration based on source material. No authentic photograph of the Otherland Galle property is embedded in this article. Otherland Hotels opened its first property, Otherland Galle, on 12 October 2026, introducing a 66-key lifestyle hotel that brings together accommodation, dining, music and locally curated experiences on Sri Lanka’s southern coast. The opening adds a new hospitality concept to a region known for its beaches, historic Galle Fort and established surf culture, with the hotel’s programme designed to encourage visitors to engage with the wider destination as well as the property. Located on Matara Road, Otherland Galle is approximately 400 metres from Dewata Beach and 2.8 kilometres from Galle Fort, the UNESCO World Heritage Site. The hotel draws on the area’s culinary traditions, creative communities and coastal way of life, positioning local experiences as a central part of its offer rather than an optional addition to a conventional hotel stay. Founded by Rishi Sreedharan, Samarth Gowda and Emanuel Siddhartha in partnership with Beryll Group, Otherland Hotels is built around the philosophy “Never the Same Twice”. Its approach combines private rooms and suites with shared accommodation and communal spaces intended for different kinds of travellers, from couples and groups of friends to solo visitors and culturally curious guests. The co-founders, pictured from left: Emanuel Siddhartha, Rishi Sreedharan and Samarth Gowda. Source photograph: Lanka Business News. A design-led mix of rooms and shared spaces Designed by Studio Camarada, led by Andre Camara, the hotel has been arranged as a series of interconnected spaces rather than a conventional sequence of corridors and separate facilities. Its interiors draw on the colours and materials of the southern coast, including sandy neutrals, ocean blues and earthy tones, alongside rattan, ash, hand-tufted textiles and marble finishes. The 66-key accommodation comprises 24 Ocean Rooms, 25 Terra Rooms, 12 suites and five dormitories. Room sizes range from 27 square metres to the 70-square-metre Patio Suite, while the property also includes rooms designed for guests with disabilities. The mix offers a range of accommodation formats within one property, including shared dormitory options alongside private rooms and suites. At ground level, Bar-kery combines several functions: reception, coffee shop, bakery, aperitivo counter and informal co-working space. Its Vinyl Corner invites guests to browse records and choose music, giving the communal area a more participatory character. Colombo Coffee Company has developed an exclusive signature blend for the hotel. AI-generated illustrative image based on the reported design approach; it is not a photograph of Otherland Galle. The rooftop venue Creatures brings together a restaurant, cocktail bar, infinity pool and music space, with 270-degree views of the Indian Ocean. It is intended to serve as a daytime dining and swimming venue as well as an evening social space, linking the hotel’s food and music programmes with its coastal setting. Sri Lankan flavours, music and a sense of place The food programme is led by Chef Rajeev Kumar and draws on Sri Lankan culinary traditions, alongside international influences and contemporary techniques. Dishes listed for the menu include King Coconut Ceviche, Yellowfin Tuna Tataki, Lankan Fish Cutlets and Devilled Pork Ribs glazed with kithul treacle. A Watalappam Brûlée brings a familiar Sri Lankan dessert into a contemporary format. Arijit Bose leads the cocktail programme, while Aneesha Thapa manages day-to-day operations. Music is another part of the hotel’s identity, with programming across Afro, R&B, folk, funk, jazz fusion, house, techno and electronica. The combination of food, music and shared spaces is intended to make the property relevant to both visitors and people from the surrounding area. Co-founder Samarth Gowda described the approach as one intended to make the hotel feel accessible and personal: > “Otherland Galle should feel like yours from the moment you walk in. Luxury has often come with a sense of distance, with places appearing impressive because they do not feel accessible to everyone. That is not what we are building. Everything here is designed around who you are and how you want to spend your time.” AI-generated illustration of ingredients associated with Sri Lankan culinary traditions; not a photograph of the hotel’s kitchen or menu. The Other Side: experiences created with local communities A key element of the concept is The Other Side, an experiences programme developed in collaboration with local surfers, fishermen, artisans, guides, chefs and musicians. The activities are designed to connect guests with people and places beyond the hotel, while drawing on knowledge and skills already present in the Galle region. The programme includes curry masterclasses, guided walks through Galle Fort and surf lessons at Dewata Beach. Further afield, guests can take whale-watching excursions off Mirissa or kayak through the mangroves of Koggala Lake. Rooftop sunset sessions, arrack tastings, beach cricket and tuk-tuk bar crawls are among the social activities described as part of the offer. This community-led model gives local participants a role in shaping and delivering visitor experiences, rather than presenting the area only as a backdrop for sightseeing. Its longer-term value will depend on how consistently these partnerships are sustained and how directly local contributors benefit from the activity they help create. Co-founder Rishi Sreedharan said: > “At Otherland, curiosity is the operating principle. We measure success by whether guests leave with a real sense of Galle. The surfers, fishermen, chefs and craftspeople who live here have helped build these experiences, and they are the ones bringing them to life.” AI-generated coastal illustration based on the article’s setting; it does not depict a verified view from the property. A new option for visitors to Galle The opening marks the first phase of Otherland Galle’s development. A gym, wellness centre and banquet facilities are planned for a subsequent phase. The property’s initial offer, however, is already structured around more than its room inventory: its communal areas, food and beverage venues, music programme and locally developed activities form a connected hospitality concept. For Sri Lankans abroad planning a visit home, the opening provides another option near Galle, with a programme that brings together coastal recreation, local food, heritage and community knowledge. For the Galle area, the approach places local contributors at the centre of the visitor experience. Whether the model makes a lasting contribution will be measured not only by the facilities it offers, but also by the strength and continuity of those relationships. The launch also reflects a wider interest among culturally curious travellers in experiences that extend beyond accommodation and conventional sightseeing. In Galle, where historic landmarks sit alongside a living coastal culture, the opportunity is to create hospitality that is carefully designed while remaining connected to the people and traditions that give the destination its character. Sources: Lanka Business News; Colombo Times; Hiru News Gold FM; SoulofHospitality. This article was written based on the source https://www.lankabusinessnews.com/otherland-hotels-makes-its-debut-in-galle/ and corroborated by https://colombotimes.net/otherland-hotels-makes-its-debut-in-galle/, https://hirunews.lk/goldfmnews/493932/otherland-galle-opens-with-66-rooms-introduces-dormitories-to-luxury-hotel-mix and https://www.soulofhospitality.com/business/hotel-openings/otherland-hotels-enters-sri-lanka-with-a-new-approach-to-lifestyle-hospitality, kindly email us at info@eLanka.com.au if any information needs to be corrected. Click here to receive your free copy of the eLanka Newsletter twice a week delivered directly to your inbox! At eLanka, we respect the rights of creators. If we have used an image you own and you'd like it removed, please email us at info@elanka.com.au and we’ll handle it promptly. Thanks. eLanka team eLanka Disclaimer Content published on eLanka may be created by the eLanka team, submitted by contributors or third parties, reproduced or adapted from other sources with appropriate source acknowledgement, or provided as promotional/advertising material by our clients. While eLanka takes reasonable care in preparing and publishing content, we do not warrant its completeness or accuracy. Views expressed are those of the respective authors or contributors and do not necessarily represent the views of eLanka. Third-party contributors, content providers and advertisers are responsible for the accuracy of material they supply and for ensuring they hold the necessary rights and permissions for its publication. 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Otherland Galle Opens on Sri Lanka’s Southern Coast With a Locally Built Approach to Hospitality

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