SYDNEY FILM FESTIVAL 2024 BEST NEW FILMS FROM INDIA
Clear out your calendars: Sydney Film Festival 2024 is landing next month! From 5-16 June, see unmissable Indian cinema take over Sydney as part of an exciting lineup of the best new films – including special premiere screenings with filmmakers from India!
Immerse yourself in this exciting world of Indian films and filmmakers by booking your tickets now at sff.org.au – tickets are selling fast!
ALL WE IMAGINE AS LIGHT |
The first Indian film to appear in the Cannes Competition in 30 years – All We Imagine As Light follows two women in Mumbai who are thwarted in their quests for love but retain hope. An observational, dream-like film from up-and-coming Indian filmmaker Payal Kapadia.
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Set in the marginalised village of Tora, on India’s border with Myanmar, life before and after electricity in today’s India is vividly captured in Flickering Lights, winner of Amsterdam’s International Documentary Film Festival. Filmmakers Anirbar Dutta and Anupama Srinivasan will also be presenting another documentary (Nocturnes) at the Festival.
NOCTURNES |
In the high forests of the Eastern Himalayas, a scientist uncovers the secrets of moth life – moths whose flutters echo the history of our changing planet, in this Sundance-selected, immersive documentary. Nocturnes deftly capture this magical, meditative environment, leaving you mesmerised and awake to all the little things in our natural world. |
KILL |
One speeding train. 40 bloodthirsty bandits. And a badass hero who smashes, kicks and pulverises his way through them. Barely a gun is sighted as charismatic off-duty commando Amrit Rathod (Lakshya, sensational) uses fists, feet, knives and whatever else comes to hand while tackling endless waves of supremely nasty bad guys in Kill.
PARADISE
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In this visually striking drama, a village in India’s northeast descends into paranoia when a child goes missing and the local churchman prophesies an apocalypse. A singular film from India, Rapture reveals an extraordinary talent in Sangma. |